Only People 
               
              Christophersons portraits are as straightforward as they are revealing.  
              People are often photographed in their home or a place of work, often objects  
              surround them or they 
              are surrounded by their personal collections.  
              This exhibition includes portraits of people aware of being photographed and  
              others that are candid images, unaware that they are being photographed.
               
               
              Howard Christopherson creates fine art photographic work revolving in three themes;  
              People, Places and what he calls Dreams. People, Places and Dreams was the title  
              of his first exhibit at Wave Gallery. In this exhibit Only People we see images  
              of people from Christophersons homeland in the USA, and from his travels  
              to Italy, Japan, Peru and Hungary. Each image in this exhibit is a black and white  
              medium format film capture. Christopherson then prints each image himself in  
              a traditional darkroom.
               
               
              The title Only People expresses Howards value that we all are Only People  
              regardless of our social status. Howard makes images of all types of people,  
              successful inventors, gallery owners, photographers, politicians, homeless people,  
              children, old people, young people, collectors of things, artists and people at work.  
              Christophersons travels on a constant search for subjects has guided him to the  
              floating islands on Lake Titicaca, Peru, the grass prairies and governor’s office of the  
              Midwestern United States, the busy streets of Tokyo, Japan and the back streets  
              of Budapest, Hungary and Italy. 
               
               
              Christopherson chooses to use his medium format film camera to create this work.  
              I prefer the honesty of b/w film in this body of work. The film cannot be manipulated,  
              what you see is what I saw. I also feel it is extremely important to create these images  
              in the traditional darkroom because I feel much more connected to my work  
              and also to my subjects.  
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